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3. Orange Is the New Black. Orange Is the New Black premiered on Netflix significantly less heralded than both House of Cards and Arrested Development, which shows you how much pre-buzz should count for. Jenji Kohan slyly used an affluent white woman as a Trojan horse for entrée into the stories of a hugely varied group of women. Piper Chapman is the show’s protagonist, but over 13 episodes the series broadened to encompass the stories of the women around her, transforming bit characters into beloved ones, converting seeming stereotypes into Taystee, Red, Poussey, Daya, Crazy Eyes, Morello, and on and on. No show on television has ever had this much female diversity — in race, age, body type, sexual orientation — and Orange did it without ever being anything less than profanely entertaining.

They don’t dispute the ballet cake topper, ballet, custom dance decor, ballerina decor, ballerina, birthday girl, toe shoes, en pointe, ballet slippers accusations against him, but they’ve struggled to understand why their “baby,” who stands taller than 6 feet, would harm anyone, His mother, Tiffney Osborne, remembers the wild rabbit he once rescued from the jaws of a family guard dog, Jesse kept it alive for five days in a cardboard box, His grandmother remembers his reluctance to work with his father, Jeffrey, in their farm’s chicken houses because he didn’t like to break the birds’ necks..

Cantor Arts Center at Stanford University. The Anderson Collection: Works by Jackson Pollock, Willem de Kooning, Philip Guston, Ellsworth Kelly, Terry Winters, Sean Scully and Vija Celmins. “Robert Frank in America,” photographs by Frank that shed new light on his legendary work, “The Americans,” through Jan. 5. “Loose in Some Real Tropics: Robert Rauschenberg’s “Stoned Moon” Projects, 1969–70,” Dec. 20 through March 16. “She Who Tells a Story: Women Photographers from Iran and the Arab World,” Jan. 28 through May 4. 11 a.m.-5 p.m. Wednesdays-Sundays; Thursdays till 8 p.m. Cantor Arts Center, Stanford campus, off Palm Drive at Museum Way. 650-723-4177 or museum.stanford.edu Hall of Justice Art Exhibit. “The Fine Art of Still Life.” Through Dec. 31. Caldwell Gallery, Hall of Justice, Redwood City Courthouse, 400 County Center, Redwood City. 8 a.m.-5 p.m. Mondays-Fridays. Free.

Time: 5 p.m, Jazz Jam at the Hedley, Wed, Mar, 2, Hedley Club, Hotel De Anza, Tickets: Free, ballet cake topper, ballet, custom dance decor, ballerina decor, ballerina, birthday girl, toe shoes, en pointe, ballet slippers Time: 7 p.m, Wax Wednesdays at Cafe Stritch, Wed, Mar, 2, Café Stritch, Tickets: Free, Time: 9 p.m, Marquis Hill Blacktet, Thur, Mar, 3, Cafe Stritch, Tickets: $20 advance/$25 door ($15 SJZ Members), Time: 7 p.m, Copresented by Universal Grammar, Thur, Mar, 3, The Continental, Tickets: $15 advance/$20 door ($10 SJZ Members), Time: 10 p.m, Nicholas Payton Trio: Letters & Numbers, Fri, Mar, 4, Jade Leaf Eatery & Lounge..

Third generation Tom Perkins took over the dealership in 1990; his father, Dudley Perkins Jr., died in 1997 at age 73. A year later, Chris Perkins, fourth generation, graduated from high school and began as an apprentice mechanic at the company during the summer until he enrolled at the University of San Francisco, alma mater of his grandfather and father. His sister, Nicole, also worked during the summer at the Fisherman’s Wharf store managed by Tom’s wife, Janet, who became general manager of the South San Francisco company in 2001.